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That’s fine though, if you have 3000 and Lamar on your album you want them to sound at their very best. Both Lamar and André have a flow that most others can’t even dream of getting close to, so it goes without saying that in these instances the guests completely upstage the host. The fact that the two latter artists are considered some of the best to ever do it probably says a lot about the regard others have for Scott. Guests include The Weeknd, 21 Savage, Kid Cudi, Bryson Tiller - and that’s before we even get on to André 3000 and Kendrick Lamar. Luckily, ‘Birds…’ is peppered with guest spots left, right and centre, and that’s where it becomes obvious what Travis Scott’s real talent lies - as a platform for other artists to shine. One of his biggest criticisms in the past has been that his songs are mostly about nothing (à la A$AP Rocky) and when La Flame isn't being emotional the same applies again here. Both of these are so painfully high school that they'd be unforgivable if Scott wasn't so notorious for being a sensitive soul. "Relieve my heart of malice,” he utters in the Kid Cudi-featuring ‘Through The Late Night’ or “I get those goosebumps every time when you're not around,” he says on ‘Goosebumps’. Lyrically, Scott is an undeniable sadboy and that rings true here in large portions once again. He hasn’t just masked his missteps, he’s completely replaced them with a 53-minute record that rarely loses focus and constantly feels like something that is driving itself. In fact, that’s perhaps not giving Scott his due. Almost a year to the day after that release, the 24-year-old returns with ‘Birds In The Trap Sing McKnight’, and whether purposely or by chance it’s a body of work by someone who sounds like he’s scrutinised his own material and papered over the cracks. It had all the ingredients to build upon ‘DBR’: the auto-tune, the glitched drum loops, the smoky atmosphere, the catchy half-sung, half-mumbled hooks, but for whatever reason ‘Rodeo’ felt half-baked.Īfter spending so much time working with West, a noted perfectionist, it was perhaps odd Scott’s debut album was so clumsy, and ham-fisted. But where ‘DBR’ flourished, ‘Rodeo’ itself - Scott's first proper full-length - seemed to falter.
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The new album would mark the fourth top 40-charting set for the band, and its highest charting effort yet.2014’s ‘Days Before Rodeo’ was full of the post-‘Yeezus’ machinisms that Travis Scott himself was mostly responsible for engineering on West’s 2013 record. 2 album on the new chart will be A Day To Remember’s new Bad Vibrations, which could start with 60,000 units.
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1 - is scheduled to be revealed on Billboard’s websites on Sunday, Sept. 24-dated Billboard 200 chart - where Scott may bow at No. The Billboard 200 chart ranks the most popular albums of the week based on multi-metric consumption, which includes traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Travis Scott Talks 'Birds in the Trap Sing McKnight' Title, Collaborating with Kendrick Lamar & Andre 3000 The new album is exclusively available through the Apple Music streaming service, and the iTunes Store.
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It follows his debut effort, Rodeo, which peaked at No. If the set starts atop the list, it will mark Scott’s first No. 2 through Epic Records, may earn over 80,000 equivalent album units in the week ending Sept. Sources suggest the album, which dropped on Sept. 1 on the Billboard 200 chart, according to industry forecasters. Travis Scott’s new album, Birds In the Trap Sing McKnight, is aiming to debut at No.